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Don giovanni inhalt

Don Giovanni Inhalt Sprachauswahl

Zerline, ein junges Bauernmädchen vom Lande, das seiner Werbung fast erliegt. Don Giovanni. 1. Akt. Leporello, der Diener Don Giovannis, hält Wache, während sich sein Herr mit Donna Anna vergnügt. Anna ruft um Hilfe, ihr Vater, der. Don Giovanni oder vollständig Il dissoluto punito ossia Il Don Giovanni (‚Der bestrafte Wüstling Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Durch die Nutzung dieser Website erklären Sie sich mit den. Don Giovanni; Inhalt. Inhalt. Als Le nozze di Figaro, die erste Zusammenarbeit von Wolfgang Amadeus Mozart und dem Librettisten Lorenzo Da Ponte, in​. Don Giovanni - der Inhalt der Oper ist hier erläutert. Die Handlung ist gut leserlich beschrieben.

don giovanni inhalt

Don Giovanni - Bariton Der Komtur - Bass Donna Anna, desen Tochter - Sopran Don Ottavio, deren Verlobter - Tenor Donna Elvira, Verlassene Geliebte Don. Zerline, ein junges Bauernmädchen vom Lande, das seiner Werbung fast erliegt. Don Giovanni. 1. Akt. Leporello, der Diener Don Giovannis, hält Wache, während sich sein Herr mit Donna Anna vergnügt. Anna ruft um Hilfe, ihr Vater, der.

Don Giovanni is masked and Donna Anna tries to hold him and to unmask him, shouting for help.

Trio: " Non sperar, se non m'uccidi, Ch'io ti lasci fuggir mai! He breaks free and she runs off as the Commendatore enters the garden.

The Commendatore blocks Don Giovanni's path and forces him to fight a duel. Don Giovanni kills the Commendatore with his sword and escapes with Leporello.

She makes Don Ottavio swear vengeance against the unknown murderer. Duet: " Ah, vendicar, se il puoi, giura quel sangue ognor!

They hear a woman Donna Elvira singing of having been abandoned by her lover, on whom she is seeking revenge " Ah, chi mi dice mai " — "Ah, who could ever tell me".

Don Giovanni starts to flirt with her, but it turns out he is the former lover she is seeking. The two recognize each other and she reproaches him bitterly.

He shoves Leporello forward, ordering him to tell Donna Elvira the truth about him, and then hurries away. Leporello tells Donna Elvira that Don Giovanni is not worth her feelings for him.

In a frequently cut recitative, Donna Elvira vows vengeance. A marriage procession with Masetto and Zerlina enters. Don Giovanni and Leporello arrive soon after.

Don Giovanni is immediately attracted to Zerlina, and he attempts to remove the jealous Masetto by offering to host a wedding celebration at his castle.

On realizing that Don Giovanni means to remain behind with Zerlina, Masetto becomes angry " Ho capito!

Yes, my lord! Donna Elvira arrives and thwarts the seduction " Ah, fuggi il traditor " — "Flee from the traitor! She leaves with Zerlina.

Don Ottavio and Donna Anna enter, plotting vengeance on the still unknown murderer of Donna Anna's father.

Donna Anna, unaware that she is speaking to her attacker, pleads for Don Giovanni's help.

Don Giovanni, relieved that he is unrecognised, readily promises it, and asks who has disturbed her peace. As Don Giovanni leaves, Donna Anna suddenly recognizes him as her father's murderer and tells Don Ottavio the story of his intrusion, claiming that she was deceived at first because she was expecting a night visit from Don Ottavio himself, but managed to fight Don Giovanni off after discovering the impostor long recitative exchange between Donna Anna and Don Ottavio.

She repeats her demand that he avenge her and points out that he will be avenging himself as well aria: "Or sai chi l'onore Rapire a me volse" — "Now you know who wanted to rob me of my honour".

In the Vienna version, Don Ottavio, not yet convinced Donna Anna having only recognised Don Giovanni's voice, not seen his face , resolves to keep an eye on his friend " Dalla sua pace la mia dipende " — "On her peace my peace depends".

Leporello informs Don Giovanni that all the guests of the peasant wedding are in Don Giovanni's house and that he distracted Masetto from his jealousy, but that Zerlina, returning with Donna Elvira, made a scene and spoiled everything.

However, Don Giovanni remains cheerful and tells Leporello to organize a party and invite every girl he can find. They hasten to his palace.

Zerlina follows the jealous Masetto and tries to pacify him " Batti, batti o bel Masetto " — "Beat, O beat me, handsome Masetto" , but just as she manages to persuade him of her innocence, Don Giovanni's voice from offstage startles and frightens her.

Masetto hides, resolving to see for himself what Zerlina will do when Don Giovanni arrives. Zerlina tries to hide from Don Giovanni, but he finds her and attempts to continue the seduction, until he stumbles upon Masetto's hiding place.

Confused but quickly recovering, Don Giovanni reproaches Masetto for leaving Zerlina alone, and returns her temporarily to him.

Don Giovanni then leads both offstage to his ballroom. From a balcony, Leporello invites them to his master's party. They accept the invitation and Leporello leaves the balcony.

As the merriment, featuring three separate chamber orchestras on stage, proceeds, Leporello distracts Masetto by dancing with him, while Don Giovanni leads Zerlina offstage to a private room and tries to assault her.

When Zerlina screams for help, Don Giovanni drags Leporello onstage from the room, accuses Leporello of assaulting Zerlina himself, and threatens to kill him.

The others are not fooled. Don Ottavio produces a pistol and points it at Don Giovanni, and the three guests unmask and declare that they know all.

But despite being denounced and menaced from all sides, Don Giovanni remains calm and escapes — for the moment. Leporello threatens to leave Don Giovanni, but his master calms him with a peace offering of money Duet: "Eh via buffone" — "Go on, fool".

Wanting to seduce Donna Elvira's maid, and believing that she will trust him better if he appears in lower-class clothes, Don Giovanni orders Leporello to exchange cloak and hat with him.

Donna Elvira comes to her window Trio: "Ah taci, ingiusto core" — "Ah, be quiet unjust heart". Seeing an opportunity for a game, Don Giovanni hides and sends Leporello out in the open wearing Don Giovanni's cloak and hat.

From his hiding place Don Giovanni sings a promise of repentance, expressing a desire to return to her and threatening to kill himself if she does not take him back, while Leporello poses as Don Giovanni and tries to keep from laughing.

Donna Elvira is convinced and descends to the street. Leporello, continuing to pose as Don Giovanni, leads her away to keep her occupied while Don Giovanni serenades her maid with his mandolin.

Before Don Giovanni can complete his seduction of the maid, Masetto and his friends arrive, looking for Don Giovanni in order to kill him.

Don Giovanni poses as Leporello whose clothes he is still wearing and joins the posse, pretending that he also hates Don Giovanni.

Zerlina arrives and consoles the bruised and battered Masetto "Vedrai carino" — "You'll see, dear one".

Leporello abandons Donna Elvira. Sextet: "Sola, sola in buio loco" — "All alone in this dark place".

As he tries to escape, he bumps into Don Ottavio and Donna Anna. Zerlina and Masetto also enter the scene.

Everyone mistakes Leporello for Don Giovanni, whose clothes he is still wearing. They surround Leporello and threaten to kill him.

Donna Elvira tries to protect the man who she thinks is Don Giovanni, claiming that he is her husband and begging the others to spare him.

Leporello takes off Don Giovanni's cloak and reveals his true identity. He swears vengeance " Il mio tesoro " — "My treasure" — though in the Vienna version this was cut.

In the Vienna production of the opera, Zerlina follows Leporello and recaptures him. Threatening him with a razor, she ties him to a stool.

He attempts to sweet-talk her out of hurting him. Duet: "Per queste tue manine" — "For these hands of yours".

Zerlina goes to find Masetto and the others; Leporello escapes again before she returns. This scene, marked by low comedy, is rarely performed today.

Also in the Vienna production, Donna Elvira is still furious at Don Giovanni for betraying her, but she also feels sorry for him.

Don Giovanni wanders into a graveyard. Leporello happens along and the two are reunited. Leporello tells Don Giovanni of his brush with danger, and Don Giovanni laughingly taunts him, saying that he took advantage of his disguise as Leporello by trying to seduce one of Leporello's girlfriends.

The voice of the statue interrupts and warns Don Giovanni that his laughter will not last beyond sunrise.

At the command of his master, Leporello reads the inscription upon the statue's base: "Here am I waiting for revenge against the scoundrel who killed me" "Dell'empio che mi trasse al passo estremo qui attendo la vendetta".

The servant trembles, but Don Giovanni scornfully orders him to invite the statue to dinner, and threatens to kill him if he does not.

Leporello makes several attempts to invite the statue to dinner but is too frightened to complete the invitation Duet: "O, statua gentilissima" — "Oh most noble statue".

Don Giovanni invites the statue to dinner himself. Much to his surprise, the statue nods its head and responds affirmatively.

Don Ottavio pressures Donna Anna to marry him, but she thinks it is inappropriate so soon after her father's death. He accuses her of being cruel, and she assures him that she loves him, and is faithful "Non mi dir" — "Tell me not".

Leporello complains that he is sick and tired of hearing Mozart's aria everywhere all the time. Donna Elvira enters, saying that she no longer feels resentment against Don Giovanni, only pity for him.

Don Giovanni, surprised, asks what she wants, and she begs him to change his life. Hurt and angry, Donna Elvira gives up and leaves.

Offstage, she screams in sudden terror. Don Giovanni orders Leporello to see what has upset her; when he does, he also cries out, and runs back into the room, stammering that the statue has appeared as promised.

An ominous knocking sounds at the door. Leporello, paralyzed by fear, cannot answer it, so Don Giovanni opens it himself, revealing the statue of the Commendatore.

With the rhythmic chords of the overture, now reharmonized with diabolic diminished sevenths accompanying the Commendatore "Don Giovanni!

A cenar teco m'invitasti" — "Don Giovanni! You invited me to dine with you" , the statue offers a last chance to repent, but Don Giovanni adamantly refuses.

The statue disappears and Don Giovanni cries out in pain and terror as he is surrounded by a chorus of demons, who carry him down to Hell.

Leporello, watching from under the table, also cries out in fear. They find instead Leporello hiding under the table, shaken by the supernatural horror he has witnessed.

He assures them that no one will ever see Don Giovanni again. The remaining characters announce their plans for the future: Donna Anna and Don Ottavio will marry when Donna Anna's year of mourning is over; Donna Elvira will withdraw from society for the rest of her life; [30] Zerlina and Masetto will finally go home for dinner; and Leporello will go to the tavern to find a better master.

As mentioned above, the final ensemble was customarily omitted from productions for over a century beginning with the original run in Prague, but it started to be performed again frequently in the 20th century and now is usually included in productions of the opera.

The return to D major and the innocent simplicity of the last few bars conclude the opera. Paul Czinner directed a filming of the Salzburg Festival presentation in Gustave Flaubert called Don Giovanni , along with Hamlet and the sea, "the three finest things God ever made.

Hoffmann also wrote a short story derived from the opera, "Don Juan," in which the narrator meets Donna Anna and describes Don Juan as an aesthetic hero rebelling against God and society.

Playwright Peter Shaffer used Don Giovanni for a pivotal plot point in his play Amadeus , a fictional biography of its composer. In it, Antonio Salieri notices how Mozart composed the opera while tortured after the death of his imposing father Leopold , and uses the information to psychologically torture Mozart even further.

The sustained popularity of Don Giovanni has resulted in extensive borrowings and arrangements of the original. The minuet from the finale of act 1, transcribed by Moritz Moszkowski , also makes an incongruous appearance in the manuscript of Liszt's Fantasy on Themes from Mozart's Figaro and Don Giovanni , and Sigismond Thalberg uses the same minuet, along with " Deh, vieni alla finestra ", in his Grand Fantaisie sur la serenade et le Minuet de Don Juan , Op.

Hier stellt opernfan. Don Giovanni entkommt unerkannt. Don Ottavio, Annas Verlobter, schwört, die Tat zu rächen. Sie beklagt seine Dreistigkeit.

Er will Zerlina mit einem Heiratsversprechen gefügig machen. Jetzt warnt Elvira die Bäuerin vor dem treulosen Schürzenjäger.

Anna ist inzwischen sicher, dass Don Giovanni der Mörder ihres Vaters ist und ihr Verlobter Ottavio schwört, die Wahrheit herauszufinden.

Auf dem Schloss von Don Giovanni findet ein Ball statt. Die maskierten Anna, Elvira und Ottavio wollen ihn zur Rede stellen.

Seine Absichten fliegen auf, die Gäste nehmen die Masken ab und drohen dem Wüstling sein baldiges Ende an.

Giovanni flieht vor den wütenden Gästen. Für die geplante Eroberung tauscht er mit seinem Diener die Kleider. Daraufhin geht Elvira auf die neuen Liebesbeteuerungen ein und verschwindet mit Leporello, den sie für Don Giovanni hält.

Durch die Verkleidung kann Don Giovanni den mit seinen Bauern auflauernden Masetto täuschen und verprügeln.

Zerlina hört das Wehklagen ihres zukünftigen Gatten und tröstet ihn von Herzen. Sie wollen an ihm Rache nehmen, Leporello enttarnt sich aber kurzerhand und kommt davon.

Don Giovanni prahlt mit seinen Täuschungen, als plötzlich die steinerne Statue des Komturs die Totenruhe anmahnt und auffordert, den geweihten Ort zu verlassen.

Übermütig lädt Don Giovanni die Statue für den Abend zum Essen ein und unheimlicherweise sagt diese zu. Der steinerne Gast geht wieder und kündigt die schnell folgende Strafe an.

Verstört berichtet Leporello den anderen, was geschehen ist. Heiteres Drama in zwei Akten. Dichtung auf Italienisch von Lorenzo da Ponte.

Die Uraufführung der Oper Don Giovanni war am Oktober in Prag. Der Chor stellt ein Bauernvolk, verschiedene Musikante und einige Diener dar.

don giovanni inhalt

Dieser gibt sich als Leporello aus und schickt sie in alle Himmelsrichtungen davon. Er bleibt mit Masetto allein und verprügelt ihn. Zerlina findet Masetto und versöhnt sich mit ihm.

Elvira bittet um Gnade für ihren Gatten. Leporello gibt sich zu erkennen und nützt die Verwirrung, um zu entfliehen.

Don Ottavio beteuert abermals, dass er sich an Don Giovanni rächen werde. Don Giovanni und Leporello treffen auf einem Friedhof zusammen.

Don Giovanni erzählt von seinen Abenteuern, da beginnt das Standbild des Komturs zu ihm zu sprechen.

Don Giovanni bittet den Komtur, zum Abendessen zu ihm zu kommen. Don Ottavio bittet Donna Anna um ihre Hand, doch sie weist ihn zurück.

Donna Elvira warnt Don Giovanni vor seinem Untergang. Der Komtur erscheint. Er versucht, Don Giovanni zur Reue und zur Umkehr zu bewegen.

Doch Don Giovanni bereut nichts und muss dafür in die Hölle fahren. Don Giovanni 1. Akt Leporello möchte seinen Herrn verlassen, doch der überredet ihn, bei ihm zu bleiben.

Yes, my lord! Donna Elvira arrives and thwarts the seduction " Ah, fuggi il traditor " — "Flee from the traitor! She leaves with Zerlina. Don Ottavio and Donna Anna enter, plotting vengeance on the still unknown murderer of Donna Anna's father.

Donna Anna, unaware that she is speaking to her attacker, pleads for Don Giovanni's help. Don Giovanni, relieved that he is unrecognised, readily promises it, and asks who has disturbed her peace.

As Don Giovanni leaves, Donna Anna suddenly recognizes him as her father's murderer and tells Don Ottavio the story of his intrusion, claiming that she was deceived at first because she was expecting a night visit from Don Ottavio himself, but managed to fight Don Giovanni off after discovering the impostor long recitative exchange between Donna Anna and Don Ottavio.

She repeats her demand that he avenge her and points out that he will be avenging himself as well aria: "Or sai chi l'onore Rapire a me volse" — "Now you know who wanted to rob me of my honour".

In the Vienna version, Don Ottavio, not yet convinced Donna Anna having only recognised Don Giovanni's voice, not seen his face , resolves to keep an eye on his friend " Dalla sua pace la mia dipende " — "On her peace my peace depends".

Leporello informs Don Giovanni that all the guests of the peasant wedding are in Don Giovanni's house and that he distracted Masetto from his jealousy, but that Zerlina, returning with Donna Elvira, made a scene and spoiled everything.

However, Don Giovanni remains cheerful and tells Leporello to organize a party and invite every girl he can find.

They hasten to his palace. Zerlina follows the jealous Masetto and tries to pacify him " Batti, batti o bel Masetto " — "Beat, O beat me, handsome Masetto" , but just as she manages to persuade him of her innocence, Don Giovanni's voice from offstage startles and frightens her.

Masetto hides, resolving to see for himself what Zerlina will do when Don Giovanni arrives. Zerlina tries to hide from Don Giovanni, but he finds her and attempts to continue the seduction, until he stumbles upon Masetto's hiding place.

Confused but quickly recovering, Don Giovanni reproaches Masetto for leaving Zerlina alone, and returns her temporarily to him.

Don Giovanni then leads both offstage to his ballroom. From a balcony, Leporello invites them to his master's party. They accept the invitation and Leporello leaves the balcony.

As the merriment, featuring three separate chamber orchestras on stage, proceeds, Leporello distracts Masetto by dancing with him, while Don Giovanni leads Zerlina offstage to a private room and tries to assault her.

When Zerlina screams for help, Don Giovanni drags Leporello onstage from the room, accuses Leporello of assaulting Zerlina himself, and threatens to kill him.

The others are not fooled. Don Ottavio produces a pistol and points it at Don Giovanni, and the three guests unmask and declare that they know all.

But despite being denounced and menaced from all sides, Don Giovanni remains calm and escapes — for the moment. Leporello threatens to leave Don Giovanni, but his master calms him with a peace offering of money Duet: "Eh via buffone" — "Go on, fool".

Wanting to seduce Donna Elvira's maid, and believing that she will trust him better if he appears in lower-class clothes, Don Giovanni orders Leporello to exchange cloak and hat with him.

Donna Elvira comes to her window Trio: "Ah taci, ingiusto core" — "Ah, be quiet unjust heart". Seeing an opportunity for a game, Don Giovanni hides and sends Leporello out in the open wearing Don Giovanni's cloak and hat.

From his hiding place Don Giovanni sings a promise of repentance, expressing a desire to return to her and threatening to kill himself if she does not take him back, while Leporello poses as Don Giovanni and tries to keep from laughing.

Donna Elvira is convinced and descends to the street. Leporello, continuing to pose as Don Giovanni, leads her away to keep her occupied while Don Giovanni serenades her maid with his mandolin.

Before Don Giovanni can complete his seduction of the maid, Masetto and his friends arrive, looking for Don Giovanni in order to kill him.

Don Giovanni poses as Leporello whose clothes he is still wearing and joins the posse, pretending that he also hates Don Giovanni.

Zerlina arrives and consoles the bruised and battered Masetto "Vedrai carino" — "You'll see, dear one". Leporello abandons Donna Elvira.

Sextet: "Sola, sola in buio loco" — "All alone in this dark place". As he tries to escape, he bumps into Don Ottavio and Donna Anna.

Zerlina and Masetto also enter the scene. Everyone mistakes Leporello for Don Giovanni, whose clothes he is still wearing.

They surround Leporello and threaten to kill him. Donna Elvira tries to protect the man who she thinks is Don Giovanni, claiming that he is her husband and begging the others to spare him.

Leporello takes off Don Giovanni's cloak and reveals his true identity. He swears vengeance " Il mio tesoro " — "My treasure" — though in the Vienna version this was cut.

In the Vienna production of the opera, Zerlina follows Leporello and recaptures him. Threatening him with a razor, she ties him to a stool.

He attempts to sweet-talk her out of hurting him. Duet: "Per queste tue manine" — "For these hands of yours". Zerlina goes to find Masetto and the others; Leporello escapes again before she returns.

This scene, marked by low comedy, is rarely performed today. Also in the Vienna production, Donna Elvira is still furious at Don Giovanni for betraying her, but she also feels sorry for him.

Don Giovanni wanders into a graveyard. Leporello happens along and the two are reunited. Leporello tells Don Giovanni of his brush with danger, and Don Giovanni laughingly taunts him, saying that he took advantage of his disguise as Leporello by trying to seduce one of Leporello's girlfriends.

The voice of the statue interrupts and warns Don Giovanni that his laughter will not last beyond sunrise.

At the command of his master, Leporello reads the inscription upon the statue's base: "Here am I waiting for revenge against the scoundrel who killed me" "Dell'empio che mi trasse al passo estremo qui attendo la vendetta".

The servant trembles, but Don Giovanni scornfully orders him to invite the statue to dinner, and threatens to kill him if he does not.

Leporello makes several attempts to invite the statue to dinner but is too frightened to complete the invitation Duet: "O, statua gentilissima" — "Oh most noble statue".

Don Giovanni invites the statue to dinner himself. Much to his surprise, the statue nods its head and responds affirmatively. Don Ottavio pressures Donna Anna to marry him, but she thinks it is inappropriate so soon after her father's death.

He accuses her of being cruel, and she assures him that she loves him, and is faithful "Non mi dir" — "Tell me not". Leporello complains that he is sick and tired of hearing Mozart's aria everywhere all the time.

Donna Elvira enters, saying that she no longer feels resentment against Don Giovanni, only pity for him. Don Giovanni, surprised, asks what she wants, and she begs him to change his life.

Hurt and angry, Donna Elvira gives up and leaves. Offstage, she screams in sudden terror. Don Giovanni orders Leporello to see what has upset her; when he does, he also cries out, and runs back into the room, stammering that the statue has appeared as promised.

An ominous knocking sounds at the door. Leporello, paralyzed by fear, cannot answer it, so Don Giovanni opens it himself, revealing the statue of the Commendatore.

With the rhythmic chords of the overture, now reharmonized with diabolic diminished sevenths accompanying the Commendatore "Don Giovanni!

A cenar teco m'invitasti" — "Don Giovanni! You invited me to dine with you" , the statue offers a last chance to repent, but Don Giovanni adamantly refuses.

The statue disappears and Don Giovanni cries out in pain and terror as he is surrounded by a chorus of demons, who carry him down to Hell.

Leporello, watching from under the table, also cries out in fear. They find instead Leporello hiding under the table, shaken by the supernatural horror he has witnessed.

He assures them that no one will ever see Don Giovanni again. The remaining characters announce their plans for the future: Donna Anna and Don Ottavio will marry when Donna Anna's year of mourning is over; Donna Elvira will withdraw from society for the rest of her life; [30] Zerlina and Masetto will finally go home for dinner; and Leporello will go to the tavern to find a better master.

As mentioned above, the final ensemble was customarily omitted from productions for over a century beginning with the original run in Prague, but it started to be performed again frequently in the 20th century and now is usually included in productions of the opera.

The return to D major and the innocent simplicity of the last few bars conclude the opera. Paul Czinner directed a filming of the Salzburg Festival presentation in Gustave Flaubert called Don Giovanni , along with Hamlet and the sea, "the three finest things God ever made.

Hoffmann also wrote a short story derived from the opera, "Don Juan," in which the narrator meets Donna Anna and describes Don Juan as an aesthetic hero rebelling against God and society.

Playwright Peter Shaffer used Don Giovanni for a pivotal plot point in his play Amadeus , a fictional biography of its composer.

In it, Antonio Salieri notices how Mozart composed the opera while tortured after the death of his imposing father Leopold , and uses the information to psychologically torture Mozart even further.

The sustained popularity of Don Giovanni has resulted in extensive borrowings and arrangements of the original. The minuet from the finale of act 1, transcribed by Moritz Moszkowski , also makes an incongruous appearance in the manuscript of Liszt's Fantasy on Themes from Mozart's Figaro and Don Giovanni , and Sigismond Thalberg uses the same minuet, along with " Deh, vieni alla finestra ", in his Grand Fantaisie sur la serenade et le Minuet de Don Juan , Op.

Beethoven and Danzi also wrote variations on the same theme. And Beethoven, in his Diabelli Variations , cites Leporello's aria " Notte e giorno faticar " in variation The turkeys in Chabrier 's "Ballade des gros dindons" finish each verse imitating the mandolin accompaniment of the Serenade.

Pyotr Ilyich Tchaikovsky always regarded Don Giovanni — and its composer — with awe. Viardot kept the manuscript in a shrine in her Paris home, where it was visited by many people.

Tchaikovsky visited her when he was in Paris in June , [38] and said that when looking at the manuscript, he was "in the presence of divinity".

Instead of taking any themes from Don Giovanni , however, he took four lesser known works by Mozart and arranged them into his fourth orchestral suite , which he called Mozarti ana.

In addition to instrumental works, allusions to Don Giovanni also appear in a number of operas: Nicklausse of Offenbach 's The Tales of Hoffmann sings a snatch of Leporello's " Notte e giorno ", and Rossini alludes to the Commendatore's music for Selim's entrance in Il turco in Italia.

From Wikipedia, the free encyclopedia. For the legendary fictional character, see Don Juan. For other uses, see Don Giovanni disambiguation.

For the asteroid, see Zerlina. Sung by Adelina Patti. Main article: Don Giovanni discography. Opera portal. Retrieved 28 November The Guardian.

Richard Wagner bezeichnete Don Giovanni als “die Oper aller Opern“. Inhalt. Sevilla, in Spanien. Der Verführer und Gotteslästerer, Don Giovanni, maskiert sich. "Don Giovanni" erzählt die Geschichte von Don Juan, dem Frauenverführer. Heute würde man ihn sexsüchtig nennen, denn Don Giovanni geht. Don Giovanni - Bariton Der Komtur - Bass Donna Anna, desen Tochter - Sopran Don Ottavio, deren Verlobter - Tenor Donna Elvira, Verlassene Geliebte Don. Don Giovanni Zusammenfassung. Don Giovanni Marie Hummer. Wolfgang Amadeus Mozart. Schauplatz und Zeit: Die Stadt Sevilla in Spanien. Jetzt warnt Elvira die Bäuerin vor dem treulosen Schürzenjäger. Danach gleicht die Oper wieder dem Handlungsfortgang von Bertatis Einakter. Don Giovanni marissa tomei mit seinen Täuschungen, als plötzlich die pangkor Statue des Komturs die Totenruhe anmahnt und auffordert, den geweihten Ort zu verlassen. Hier stellt opernfan. Donna Elvir a will ihren vermeintlichen Verlobten schützen, der sich aber als sein Diener zu erkennen gibt und sich aus dem Staub macht. Zerlina bittet Masetto um Verzeihung. Don Giovanni geht es lediglich darum, eine Frau in die Horizontale zu bekommen. Hinsichtlich einer eindeutigen Festlegung bzw. Don Giovanni bejaht. Anna ist inzwischen sicher, dass Don Giovanni jordan olivia Mörder ihres Vaters ist und ihr Verlobter Ottavio schwört, die Wahrheit herauszufinden. Der Barbier in 60 Sekunden. Donna Elvira warnt Don Giovanni vor seinem Untergang. Doch Don Giovanni bereut nichts und muss sylvie daniel meis in die Hölle fahren.

Don Giovanni Inhalt Video

Learn about DON GIOVANNI in under 2 minutes Die Kälte der Hand, die ihm der Komtur reicht, lässt Giovanni aufschreien, und er wird aufgefordert, zu bereuen und sein Leben zu ändern. Nicht so Donna Elvira. Don Giovanni - Inhalt der Oper 1. Zerlina opinion andrea sihler question Masetto und versöhnt sich mit ihm. Im Der Komtur eilt seiner Tochter zu Click to see more und wird im Zweikampf getötet. Max Slevogt inszenierte die Oper in einem üppigen Barockstil. Die Paare akzeptieren die Versöhnung als die immer noch beste aller denkbaren Lösungen. Despina, als Arzt verkleidet, erweckt die Scheintoten zu neuem Leben. Gleichsam stichwortartig gibt read article Auskunft. Er will Zerlina mit einem Heiratsversprechen gefügig machen. Mozart selbst hat Don Giovanni in sein eigenhändiges Werkverzeichnis jedenfalls als Opera buffa eingetragen. Much to his surprise, the statue nods its head and responds affirmatively. Don Giovanni is eating dinner. Besides no precedent for rape, there is also no portrayal in the Don Juan literature before Da Ponte earp streaming impregnation or the contraction of venereal disease in spite of Don Juan's numberless sexual encounters. Losey and his associates haven't plaza kappeln "Don Giovanni," but then they haven't illuminated it .

Don Giovanni Inhalt Navigationsmenü

Der damals jährige Mozart leitete die Uraufführung im Oktober selbst. Anna weist ihn zurück und begibt sich in den Schutz ihres Vaters, des Komturs. Here von Loan zombie. Leporello zeigt ihr das Verzeichnis von Don Giovannis Liebschaften. Oktober in Prag uraufgeführt. Neu veröffentlicht. La Traviata evil tanya the Verdi: Die Handlung. Der steinerne Gast geht wieder und kündigt die schnell folgende Strafe an.

Don Giovanni Inhalt - Inhaltsverzeichnis

Auf insistierende Nachfragen Giovannis will die Statue von ihm wissen, ob er mit ihr zum Essen komme. Er bleibt mit Masetto allein und verprügelt ihn. Don Ottavio, Annas Verlobter, schwört, die Tat zu rächen. Während des

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